Showing posts with label Art And Artists. Show all posts
Showing posts with label Art And Artists. Show all posts

Monday, May 18, 2009

Art And Artists

Not Your Average School Experience
By Alexandra Gardell

Ask the people you know about their high school experience and you’ll likely get a myriad of stories about annual school musicals, Friday night football games, bad cafeteria food, stressful exams, field trips, and large graduation ceremonies. It seems like the modern collective American school experience, whether public or private, encompasses all or at least some of these experiences.

Imagine, however, if this was not your experience at all. Imagine that your kitchen was your classroom and your mother was your teacher for all of your school years, day in and day out. You could never play hooky, or tell the teacher that your dog ate your homework. Your mom knew when you were sick and she knew that you didn’t have a pet dog.


David Felicie and Michelle Kakalecz in a recent performance at Lincoln
Center with the non-profit ballet troupe, the Performing Arts Ensemble.

According to a 2006 New York Times article, “Home Schoolers Content to Take Children’s Lead,” in recent years, about 1.1 million children in the US received their education at home. Among them were David Felicie and Michelle Kakalecz.

Both Felicie, 22, and Kakalecz, 20, are from New Jersey and were taught at home by their mothers. Both are disciplined, hard working, active members of their communities and pursue their dreams. And although they share a similar background in their curriculums and interests, their experiences with education are unique.

Felicie grew up in a large household, the fourth of six siblings. And his mother taught them all. “My mother thought homeschooling was the best decision because it would create more of a one-on-one learning atmosphere, rather than a one-on-twenty or one-on-thirty environment,” says Felicie. “Another reason was to keep us out of trouble. We were living in Staten Island in a rough neighborhood and moved to New Jersey when I was ten and continued to homeschool.”

How does one give a thorough education to six kids, all different ages, at once? The Felicies had a system. “The two oldest were in the same grade, the next two, myself and my older brother Joey, were in the same grade, and the youngest, Bethany and Josh were in the same grade,” explained Felicie. “Basically the youngest of each pair got bumped up a year so that my mother was teaching three grade levels instead of six at a time.”


David Felicie in a recent performance of Beauty and the Beast, produced
by the Performing Arts Ensemble, discovered his dance talents while
attending vocational school.

This is not an unheard of practice in home education, and think of this: kids in any given public or private classroom may be a year or two apart in age. “Throw away that grade level thing. It's a way of comparing children, and in a home setting just isn't necessary,” said Mary McCarthy, co-founder of the New Jersey Homeschool Association said in an article from Home Education Magazine. “Then see if you can combine several children in one subject. I've never seen it written anywhere that children can't work together on learning.”

It worked for the Felicie family, and it also helped them focus on family bonds.

Kakalecz is the youngest of three. Her oldest brother attended private school, and her other brother was homeschooled from eighth grade on. Kakalecz’s mother decided to educate her daughter herself, using a pre-determined curriculum and a series of extracurricular activities and learning programs.

Setting the curriculum
Homeschoolers have many options in deciding their curriculum. Both Felicie and Kakalecz used the A Beka system, which was created by the founders of Pensacola Christian College in Florida. “We would order our textbooks and videos through A Beka, but my mom would also add her own lesson plans,” said Felicie.

Kakalecz’s mother, Gayle, would attend events called curriculum fairs, where all the different companies that produced textbooks and other learning materials would showcase their products to homeschoolers. This is where the Kakaleczs got their materials, like those from A Beka.

In addition to textbooks, A Beka offered videos with daily lessons that gave students the feeling of a classroom. Sometimes they had other students at desks, other times just a teacher at the front of the room.

The videos weren’t a replacement for one-on-one interaction, however. “I don't think the videos were that effective though; they didn't really explain how to do things; they gave the problem and then the answer, they moved too fast sometimes,” says Felicie. “My mom would do most things manually, and really teach us on her own.”

Kakalecz said one of the good things about the A Beka videos was that if she did not fully understand something she could call in and someone would talk her through the problem. Making a phone call may have been more difficult than raising your hand in a classroom, but there was help available if you needed it. In addition to A Beka, Kakalecz also used other curriculums for various subjects, such as Algebra and Geometry.

Homeschooling is not “unschooling,” explained Gayle Kakalecz. She says the unschooling approach to learning is where parents do not set a curriculum but rather encourage their children to learn by experience alone. “They go out into nature and learn from nature, they learn from making things. Homeschooling is more instructed,” she says.

Even with a curriculum, though, homeschooling gives kids and their parents’ chances to customize the curriculum to fit their interests and allows room for creativity. “Michelle read a variety of books, such as Pride and Prejudice,” says Gayle Kakalecz. “Once she wanted to see the musical The Scarlet Pimpernel and I told her she had to finish the book first.”

Felicie stressed that he endured a rather strict curriculum. “We were taught English, math, science, everything that you do in public school. If you didn't complete that day's assignments you couldn't do what was considered recess, anything fun like going outside,” he says. “Sometimes I would goof off and not want to do my work, so I would end up inside while everyone else was outside, doing my school work until 8 p.m., maybe even twelve at night.”

Now a very conscientious adult, Felicie gained from these experiences. “I learned to work hard though, and to always complete my responsibilities.”

Just like most other students, homeschoolers can take standardized tests and exams like the SATs. “I took the SAT and the PSAT at Middletown North,” the public high school Kakalecz was zoned to attend if she had not opted for homeschooling. “I took the tests where you fill in the bubbles,” she said with a laugh, the familiar standardized tests, at the school her brother previously attended.

What do the professionals think?
Twila Liggett, a professor of Education at Marymount Manhattan College and creator of the famed educational television program Reading Rainbow says that, “Some parents feel they can offer a richer, more interdisciplinary approach to learning. Some kids just find it hard to be in an overly structured environment and do much better with homeschooling.”

No two situations are exactly alike, and there is no definite answer to what is the best way to obtain an education. The most important thing, Liggett says is that, “Parents should be intellectually curious and willing to spend the time it takes to do the job.”

Interacting with others
Growing up with so many close siblings, mostly all boys, Felicie always had someone to hang out with. Conversely, Kakalecz was the baby of the family, and the only girl. No matter the size of the family, though, homeschoolers have opportunities to get together with kids their age, just like in traditional school.

Kakalecz completed all of her core curriculum at home under the instruction of her mother, but often got together with other local homeschoolers for special activities.

“We met with a group called REAP for ‘Geography Nights.’ We would research a different country each time, learn about the culture, and prepare foods from that country to share with everyone,” said Kakalecz. “I studied French and Spanish with a group, and we would even learn cross-stitch and sewing at one of the girls grandmother’s house.”

In addition to the group’s organized swimming at the YMCA, Kakalecz always got her physical education from gymnastic and dance classes. “I took ballet almost every single day,” she says.

Felicie had a network of other homeschoolers as well. “Homeschoolers that were affiliated with A Beka in the area would network and organize events, things like field trips. We would go roller-skating, bowling, go to farms and take care of and feed animals, all different things,” he recounted. Kakalecz shares similar experiences with day trips as supplementary education.

And what about the prom? “We had a prom that was organized by some of the parents where they would rent out a big hall and all of the local junior and senior year homeschoolers would go,” says Felicie. “We could bring "outsiders" as dates, just like other proms.”

Both Felicie and Kakalecz had high school graduation ceremonies. Kakalecz acquired her GED from a vocational program. Felicie had a ceremony with other homeschoolers in the area. He added, “I finished my high school studies early and graduated at 16 because I actually skipped a grade.”

Life after graduation
After graduation, Felicie attended a two-year vocational program that was part of his local county college. He started studies in landscaping but once he got there he switched to dance, saying he was part of what they called the "Jump Start Program."

At this time Felicie began cultivating his natural talents with formal education in dance. He had always played around with break dancing and hip hop, but this “jump start” actually turned out to be a grand jete that helped to move Felicie towards classical ballet, which became a passion. Felicie has since attended numerous intensive programs, and has performed as a professional dancer and choreographer. He also works as a dance instructor.

Kakalecz is currently a Liberal Arts major at Brookdale Community College. “I am finishing my second full semester now, but I had taken two other classes at Brookdale before starting fulltime to get used to going,” she says.

Kakalecz says she feels like she had a full, well-balanced experience thanks to her involvement in many different activities while being homeschooled. She is very active member of a non-profit ballet company, The Ballet Company of the Performing Arts Ensemble, where she met Felicie, who is also a member of the Ensemble. She’s involved in various volunteer efforts, including at the Holocaust, Genocide, & Human Rights Education Center at her college.

On Felicie’s homeschooling experience, he says, “I think it turned out to be the best thing for us.”

Sunday, December 16, 2007

Art And Artisits

The Not So Private Dancer
By Sarah Campbell

If someone assumes that the life of a Philadelphia ballerina is mundane, after a moment speaking with Cynthia Dragoni, that possibility is immediately ruled out as you are bombarded by stories of travel from Italy, Russia, and Greece. She also manages to slip a word or two into our conversation about a romantic rendezvous.

Dragoni, 23, who performs and teaches ballet, seems bubbly. She has a short, jet black bob haircut, with a blunt bang across the forehead, an exotic hazel eye that sparkles green in the right light and porcelain pale skin make her appear fragile at times, like walking the streets of the city may be enough to do her in. But one smirk and all-knowing giggle tells you she’ll be alright – like she knows more that she lets on, and you wonder maybe that’s her plan.

We meet at her apartment in South Philadelphia, not far from her birthplace of Germantown, in northern Philadelphia. She would prefer to complete the interview before “we end up getting more distracted and looking for lovers,” she says over the phone with a giggle. I agree and arrive at her apartment at 5:00 p.m. on a Friday evening. The place is dark, loft-like, with wood floors, random pieces of artwork yet to be hung, and the smell of cigarettes and coffee linger in the air. I ask if it’s OK for me to smoke in the apartment, and she nods, yes.

We sit at a glass table, which seems to be in the breakfast nook. There’s a page of a newspaper and what looks like a days old coffee on the table, at which Dragoni makes light of: “I was meaning to clean, I don’t always live like this,” she says with a sigh. We sit at the metal chairs as she grabs a cigarette from my pack, a gesture one would only be comfortable making with a dear friend who’s more like a wingman. The funny thing is that we are not in that place anymore. In fact, as the interview goes on, we both seem to notice that we don’t know each other anymore, only who we used to be.

I tiptoe into the interview and grab for through my purse for something to scribble on. She inhales deeply then blows a line of smoke. “I don’t smoke anymore,” she says with a laugh, then adds, “no seriously, I quit. For most days anyway,” a big smile, she stares at me with what looks like a giddy excitement the kind a child must exhibit on Christmas morning after being told there is one more present hiding in back of the Christmas tree.

Dressed in her signature black pants and dangly earrings she must not have tried too hard to prepare for my arrival as she is still in her slippers and has obviously thrown a fleece sweatshirt over whatever outfit she intends to wear later. And, she does intend to go out after our interview, which she made perfectly clear when she heard I was coming to Philly. “Well fine, I’ll answer your questions but that means we have to actually see one another and have the rest of the night to catch up.”

There’s something about her that’s almost childlike. Maybe it’s the short hair or the way she jumps up from the table every time she gets excited. Maybe it’s her exaggerated hand gestures or her complete belief and sometimes even reliance in Tarot Cards, palm readers and psychics. Whatever the case may be, she is in fact 23, soon to be 24. So we pop open a bottle of wine and I begin the questions.

So, what was your childhood like? You have a big family, what was the household like?
“Well (she says in an exaggeratedly low tone accompanied by a laugh), huh? My youuuuth…” she sends me a look chin pressed to her chest, eyes staring up at my face like, ‘come on really?’ Then she seems to immediately remember that we had a deal and I had warned her about the process.

She quickly begins answering before I have the chance to remind her of why we are here. “My childhood…well I don’t know. My mom’s crazy, so is my dad, and sisters – whatever we all are. No, really. Um…Well, I grew up mainly with my mom, I have four older sisters, all half-sisters, and then of course there’s Andrew” (she says adoringly). I give her a look like ‘come on, who’s Andrew?’ – The dilemmas of interviewing someone you know).

“He’s my baby, well you know my baby brother, but he’s really mine. Any sanity he managed to grasp has got to be from me, that’s for sure. She takes a drag from what is now her second cigarette (because she clearly doesn’t smoke anymore) and gets lost in a moment as she stares out the foggy window, the rainy day seems to have grabbed a hold of all the people and the street one flight below looks vacant. She then jolts back into conversation: “God, can you believe he’s 17! Oh my god it’s scary.”

I can’t believe that. Wow time really does fly. Trying to stay on topic I ask: So back to your youuuth, you lived with your mom, so how was your relationship with your parents?
“Oh, well you know I mean I just couldn’t stand living with either one of them. They just didn’t get me. I was dancing and neither supported that financially or emotionally (giggle). I mean I moved out and in with Tessa (a friend) and her family when I was 15.” She laughs and sips her wine. “I mean God, it really does sound just awful doesn’t it? I guess at times it definitely was…you know pretty difficult, yeah… you know it’s funny to talk about because I guess I never do, because this was just my life then, but looking back with more perspective, I hope (accented in a low tone) it seems ridiculous, I mean like I should probably realize I’m lucky I made it through. You know at that time I was doing school and ballet fulltime, and waiting tables in order to have some living money. And to top it off, I was getting everywhere on a bike.”

She laughs at something that could only have occurred in her head. I ask for her to let me in on the joke and she responds: “Oh, I was just thinking of how I always joke about my mom as being this crazy lady riding her bike to and from work and then I just thought of me being the crazy bike kid, that’s all.”

So basically, you’ve lived on your own since you were 15?
“Well yes and no.” (Somehow, she seems to be in the flow of the interview and is now answering questions without hesitation, maybe it’s the second glass of wine). “I mean I kind of have this pattern, well you know, my restlessness. I get really antsy, leave the country for about a year and then return to Philly. Over the years I’ve lived so many places – I mean even since I was 15. I’ve returned to both my mom’s and my dad’s house for short periods of time…always short because I’m reminded of why it didn’t work the first time. I had the apartment in Philly for a couple of years (one of which I lived there with her), but you know that, then there was Ukraine, Siberia, St. Petersburg, oh yeah, Boston when I was a lot younger, maybe 17? I’m sure there’s more any you remember that I forgot?” (I can’t think of a thing, nor can I move my eyes from my paper or my hand from my pen as I’m still frantically writing).

So what stimulated all of this travel?
Well, absolutely dance - ballet. And the occasional need to get really far away from an ex-lover, but those are separate stories entirely.” She says with a gleaming eye and a giggle in her throat. “I was dancing with different companies in different places. You know, in Ukraine I danced with the Donetsk and then in Siberia and St. Petersburg with smaller lesser-known companies. But, the travel, actually I almost completely forgot, one of the times I wasn’t even dancing I had thought I had quit when I was there – that was in Ukraine.

Yeah I got there, worked really hard and performed all the time, got a great feel of the language and made some great friends and then I got terribly depressed. I don’t know I think it was the situation. Like I’m glad I had the experience, but the company itself just wasn’t uplifting in any way. It felt as if everyone was down and it brought me down. You know I was trying to leave a situation like that in a Philadelphia company I was dancing in and wouldn’t you know I end up in the same kind of thing over there. So I guess I kind of bugged out. That’s when I decided to come back. Cause if I wasn’t going to be dancing the struggle just didn’t seem worth it.”

What happened when you came back?
“Well, oh yeah, that’s when I decided I would focus on school, mainly language. You know I really did love Russian language and just because I came back here, I didn’t want to lose everything I had learned there. I wanted to continue…so I took some classes at Penn (University of Pennsylvania). It was all right. Actually, I was pretty disappointed. I just felt like everything was so rigid. There were so many rules and guidelines. I guess I just hadn’t operated in that type of a setting for a while and it just felt… I didn’t like it. I don’t know, I guess I felt the classes kind of worked against me or around me instead of for me.” (Dragoni home-schooled herself through high school, in order to concentrate on ballet). Eventually I realized that I really missed dance and I ended back at the studio.”

We realize that our interview is taking much more time than anticipated. I push towards the last questions so we can still make our dinner reservation.

So, what are you doing now?
“If only I knew,” she says with a giggle. “No, I guess right now things are alright. I kind of feel like I’m just in a transition phase now. No I know it. I mean I’m teaching at two studios and taking class every day. But this is kind of breather time for me. This is another one of my patterns I’m always in one of my phases. So currently, I’m in what I’ll call the regrouping phase. (laughs). I’m just trying to stay positive and take things one day at a time. I’m trying to not over think as much and kind of go with something before I rule it out. You know like Norbert? She jumps from the table laughing and then begs me to not bring that story up. All I’ll say is he was several years her senior and lived in Germany.

And where do you hope to see yourself going?
“Aaahhhh.” (She says with frustration, though not so much at the question, but more so at the fact that the interview has turned out to be very long and we are both feeling it. We share a laugh and I assure her this is the end. After she asks me to repeat the question again she answers).

“I guess I mean I don’t know exactly where I’m going, but if you give me a sec I can get my guy (psychic) on the phone and I’ll let you know. All I know at this point is what I like and dislike so far. I know I’ll always travel. I’m really interested in culture and language. I’m pretty sure ballet will always play some role in my life whether I’m performing or teaching. I do know that on Monday, I’ll wake up, hop on the subway and get my butt to class and then I’ll teach. And for right now that’s what I’m doing. Ask me again in a year and I’m sure you’ll get a totally different answer.”

Sunday, May 06, 2007

Art & Artists

The Voices Of Radical Art
By Parisa Esmaili

It was cheap and opened the art world to millions. Designed as an easy way to develop and distribute social viewpoints on contemporary issues, Radical or Political Art, has been a successful tactic in the activist culture since the 1930s.

Radical art is strong and opinionated, and anything one draws has a definite message. However, the value of aesthetics and form goes hand in hand with any message, so radical art attempts to assume the, “tool of enlightenment,” said Stephen Duncombe, a professor of media and cultural studies at the Gallatin School of New York University.

On Tuesday April 24, 2007, the CUNY Graduate Center held a panel discussion on the meaning of radical art in an activist and resistant culture which included Duncombe, who is also an author; founder of ‘United Graffiti Artist,’ Hugo Martinez; Curator at Creative Time, Nato Thompson; filmmaker and world renowned graffiti artist, SKUF; and Nicole Schulman, an artist and editor of World War III Illustrated and Wobblies: A Graphic History.

“Sometimes we don’t know what the hell is going on in the U.S. and art is an interesting way to inform in journalism,” said Nato Thompson. Radical Art is not, by any means, a new form of art. Its recent popularity has grown because the art has increasingly begun to speak the, “exact language and desires of what our society sees and need,” Duncombe explained.

The covers of Schulman’s comic books, World War III, for example, have always had strikingly descriptive cartoons pertaining to their topics such as, September 11, Hurricane Katrina, and a number of Iraqi covers, including an illustration of the holy Golden Mosque in Samarra (60 miles outside of Baghdad) that had been bombed. Other covers included uranium poising, different cancers, women’s rights, and George Bush. World War III has been producing radical cartoons since 1985.

In recent years, radical art has made its way to the street, exposing the rift between graffiti versus street art. SKUF, a tagger turned ‘clean’ said, “to be honest I don’t know how politics correlate to graffiti. Graffiti is about respect. If you see my name, then you know who I am when we walk down the street. It’s not about any political war, it’s a war of ownership. It’s about turf.”

“Kids aren’t into government and political bullshit,” said Martinez, “They’re into inventing, being heard … creating a culture.” SKUF, Martinez, and other taggers agree graffiti is the act of destroying private and public property and bringing attention to one’s self, and nothing else. While street art is destroying property, the art is assumed to make a statement.

Tagging, “Blood ain’t easy, but it sure is fun,” “New York Taliban killers,” “Kill Muslims 9/11,” and “Sirdripsalot,” are examples of street art, no matter how disturbing the context may be. Graffiti entails one’s name tagged differently or in some instances, the names of gangs are tagged. “Call it capitalist if you want, but writing my name and people who use aerosol as aesthetics to ‘make a statement’ is completely different,” SKUF argued.

The tarnish of America’s national and global perceptions is not something taken lightly to many people, and radical art is a way to, “break the barrier of what an artist is,” Martinez said. Our culture has become embedded with politics that we may not particularly agree with and this is one highly influential way for people to speak out.